The scene is a country lane With massed banks of primroses and violets A thick thorn hedge behind, White and red butterflies in the air And midges filling the mouth of a low culvert.
UCD B6
Untitled (I was in the town of Mallow)
I was in the town of Mallow And in Charleville And now I name these names Hoping for a miracle By incantation to recover The serenity of a successful lover Scattered ideas organising Themselves once more To fight their way out of the chaos We went through Tramore And from the top of the hill Still no miracle I talked to men who lived By a satisfactory creed But there was no answer in their answer To my need And in Waterford I was crying Lord Lord On the Rock of Cashel I looked Through the ruined roof Of a splendid cathedral For some inkling of The order that brings fruit Up from the darkened root I went through Tipperary To Thurles and Clonmel Seeking the enchanted moment Where I again might dwell In sonorous repose Beyond the power of those Enemies of the heart What are they?
Normality
As I walked in the Valley of Sensation, A place not definable with precision, I saw The Fantasy as a Blake-like vision - The feast of sultry Sloth was the occassion.
Untitled (If any says that his view was limited to landscape)
If any says that his view was limited to landscape Tell them they're fools Above all it was women as the luxuriant Rotting of souls Coming down to ruin him as he needed for growth O stinking life that has no use for a bath In twos and threes for such was their necessity For the holy orgy God pity him for what he could look back at Last word in torture All to be present with each and other at a deflowering O rapturous love O holy holy whoring
Untitled (I made a new world last summer)
I made a new world last summer A well equipped world where everything was fresh New beasts that only performed for one rhymer And waters living with exclusive fish Everything.
Untitled (In the Duke of Wellington as the evenings grew darker)
In the Duke of Wellington as the evenings grew darker In nineteen fifty four I met George Barker; Smug he was and confident of his latest Vision - Greatest English poet since Auden went on the Foreign Mission.
Matthew Meers: or Art Has No Meaning
There was a man who had a clock, his name was Matthew Meers He counted every tick and tock for eight and eighty years And then one day he found the seconds turned to things That you could work like puppets with imagination's strings And he who had been eighty eight switched back to twenty nine About to be joined in wedlock to a woman half divine.
Untitled (He said: “Art thou the Son of God?”)
He said: "Art thou the Son of God? expecting "Thou has said it -" or some such words From a humble man ashamed to admit That he too would shoot down Pleasure's singing birds.
Untitled (Having read Spenser who could stop the Thames)
Having read Spenser who could stop the Thames To hear his Prothalamion - and no wonder!
Untitled (The world seeks to destroy)
The world seeks to destroy That serenity The moralising sphinx That is never softened by drinks That seems so near and yet Far away as a sunset That seems as sweetly kind As a loving woman's mind Exciting the lust of power Break the neck and remove the flower And claws reach out - then voices Scream helpless prejudices At the monstrous chaste unchaste In a veil of mystery cased.
